On, January 27, 2021, I shared “How to Map Nothing: Geographies of Suspension” in UCL’s CASA series, and on February 4, I reprised the talk for the “Urban Ecologies” program at ROM for kunst and arkitektur and the Oslo National Art Academy
Maps reveal, delineate, verify, orient, navigate, anticipate, historicize, conceal, persuade, and, on occasion, even lie. From the earliest spatial representations in cave paintings and on clay tablets, to the predictive climate visualizations and crime maps and mobile cartographic apps of today and tomorrow, maps have offered far more than an objective representation of a stable reality. In this hybrid theory-practice studio we’ll examine maps as artifacts, as texts, as media; and mapping as a method useful in the social sciences, humanities, arts, and design. We’ll explore the past, present, and future – across myriad geographic and cultural contexts – of our techniques and technologies for mapping space and time. In the process, we’ll address various critical frameworks for analyzing the rhetorics, poetics, politics, and epistemologies of spatial and temporal maps. Throughout the semester we’ll also experiment with a variety of critical mapping tools and methods, from techniques of critical cartography to indigenous practices to sensory mapping to time-lining, using both analog and digital approaches. Students are encouraged to use the course, which will be supported by a skilled cartographer teaching assistant, to supplement their fieldwork, to develop their own thesis / dissertation projects, or to advance other personal research and creative pursuits. Course requirements include: individual map critiques; lab exercises; and individual research-based, critical-creative “atlases” composed of maps in a variety of formats.
On October 21, 2020, Emily Bowe, Erin Simmons, and I joined Scott Knowles on COVIDCalls to discuss “Data and the Pandemic” [podcast]
I joined Jocelyn Frank and Dietmar Offenhuber for “Phenomenology and Data,” hosted by the Princeton-Mellon Research Forum on the Urban Environment, Princeton University (virtual), on September 16, 2020. My talk, “Data Made Material,” examined the ways data capture our multisensorial experiences of the pandemic and the compounding crises of 2020.
Invited Thesis Exhibition Respondent, “Looking From a Distance,” Royal College of Art, Architecture Thesis Exhibition, July 2020.
with Emily Bowe and Erin Simmons, “Learning from Lines: Critical COVID Data Visualizations and the Quarantine Quotidian,” Big Data & Society (July 2020).
“The Scalar Logics of COVID,” Harun Farocki Institut (April 25, 2020).
“Post-It Note City,” Places Journal (February, 2020)
“Local Codes: Spatial Forms of Knowledge,” Public Knowledge (San Francisco Museum of Modern Art, January 18, 2019).
“A Map That Tracks Everything,” The Atlantic (November 30, 2018)