“Glimmer: Refracting Rock,” LA+ 12: GEO (University of Pennsylvania, 2020)
“Purity and Security: Towards a Cultural History of Plexiglas,” Places Journal (December 2020).
“Of Mountains and Machines” (on Armin Link’s Alpi), Wildness Distant, Arthur Ross Gallery, Columbia University, October 2020
The Spectacle of Data: A Century of Fiches, Fairs, and Fantasies,” Theory, Culture & Society, special issue edited by Ryan Bishop and John Phillips (2020) [I presented part of this work as a keynote; you can find my copious slides here
“Calculative Composition: The Ethics of Automating Design,” in Markus Dubber, Frank Pasquale, and Sunit Das, eds., Oxford Handbook of Ethics of Artificial Intelligence (Oxford University Press, 2020).
with Emily Bowe and Erin Simmons, “Learning from Lines: Critical COVID Data Visualizations and the Quarantine Quotidian,” Big Data & Society (July 2020).
“The Scalar Logics of COVID,” Harun Farocki Institut (April 25, 2020).
“Andrew Cuomo’s COVID-19 Briefings Draw on the Persuasive Authority of Powerpoint,” Art in America (April 13, 2020)
“Urban Auscultation; or, Perceiving the Action of the Heart,” Places Journal (April 2020).
Portuguese translation: Eduardo Harry Leursen, “Auscultação urbana: ou percebendo a ação do coração,” RUA (December 2020).
“Encrypted Repositories” Amodern 9 (April 2020)